Want to play faster? You’re not alone — speed is one of the most common things guitarists ask about. In the video above, we’ll cover three practical things you can do right now to start building real picking speed. No gimmicks, just the stuff that actually works.
Fair warning though: speed takes time. Anyone can play fast — but playing fast, clean, and musical takes practice. The good news is that if you practice smart, progress comes quicker than you’d think.
1. Practice Clean, Without Distortion
This one surprises a lot of players. When you’re working on speed, practice with a clean tone — no distortion, no overdrive.
Distortion hides sloppy technique. It fills in the gaps and masks weak notes, which feels great in the moment but doesn’t help you improve. A clean tone is honest. Every muted string, every missed note shows up clearly. That feedback is exactly what you need to tighten things up.
Work on your scales clean until the notes ring out clearly and evenly. Then add the dirt back in.
2. Use a Metronome and Move Up One BPM at a Time
This is the method that actually builds speed — and it’s the one most players skip because it feels too slow.
Start at 60 BPM. Play your scale pattern up and down, nice and clean. When you can do that without any mistakes, bump it up to 61. Then 62. One BPM at a time.
Here’s a useful trick from the video: as you move up the neck fret by fret (say, moving your scale pattern from the 5th fret to the 6th), bump your metronome up by 1 BPM each time you move. It ties the tempo increase to your physical movement up the neck, which makes it feel natural and keeps you progressing steadily.
It’s slow going at first. But a week of this kind of practice does more for your speed than a month of just playing fast and sloppy.
3. Use Alternate Picking — Always
Alternate picking means you strictly alternate down strokes and up strokes: down, up, down, up — without breaking the pattern even when you change strings.
I’ll be honest: I had to unlearn bad habits here myself. It’s easy to default to all-downstrokes when you’re starting out because it feels more natural. But all-downstrokes hit a hard ceiling for speed. Alternate picking is what lets you break through.
The tricky part is keeping the pattern consistent when you cross from one string to the next. That’s where most players slip up. So practice string changes slowly and make sure your picking hand stays in rhythm.
Once alternate picking becomes automatic, you’ll notice your speed increasing even without trying — because you’re no longer fighting your own technique.
Putting It Together
Start every practice session with a short warm-up at slow tempo. Then pick one of these three things to focus on that day. Don’t try to fix everything at once.
If you want to put these exercises to work on actual scale patterns, check out the pentatonic scale lesson — that’s the best pattern to build speed on when you’re starting out. And once you’re comfortable in one position, connecting guitar scale patterns across the neck is a great next challenge.
For a broader look at what scales to work on, the guitar scales hub is the best place to start.
Jonathon, Really like this one. It’s kind of how I’ve been practicing and this reinforced my method. Thanks
Cool – glad to hear it!
Johnathan, brother your the smoothest ever .i was injured in carcrash and substaind very hardcore injurys.sci and brain also .stoke this is very helpful. ps maybe some open with a few barre chords .like jovi gnr type era .my woman said thanks ..k from Katt to cat. thankyou!!
Jonathan,
I totally agree with your comment about practicing scales to improve speed. I go through the entire fretboard and back with all five pentatonic forms nightly. I also do the sets of 3 and sets of 4 which I’m sure you’re aware. I usually do those with at least one of the 5 forms again, up and back. I have seen a dramatic improvement in my speed and my mistakes are rare even at the quicker tempo.
Mike – now you’re showing me up! LOL. That’s a great practice routine you’ve got going… keep with it!
thanks for the routines im including them in my practice sessions from now on
Thanks for the chromatics idea, Jonathan.
The “Down-Up” picking is also called “alternate” picking.
Your Christian musician e-mail newsletter subscriber,Don.
PS Check out my Artist/Band page on Facebook,”Only One Way”.
The challenge is learning to practice BEFORE playing. Most evenings I just start right in with my tunes. This is a great method to learn discipline and to become proficient with the fret board.
Please keep these great tips coming.
Good point Bob – I know personally I always play much better when I’ve taken the time to practice / warm up before hand.
Thanks Jonathan – that’s useful stuff. Do you have any tips for people who want to practice scales without a flat pick – a finger-picking equivalent to your “down/up” picking advice?
Anywhere I can get these ‘Speed-Demon Pills’ you speak of?
Haha only joking. I’ll eat my veg.
You have made me realize its the quality of a pratice session with a target goal instead of playing the same old rut! Thanks for setting me free. Barry
very cool sir..God bless..
Great video. I need to keep practicing my scales. But, I don’t really know how to use a metronome while practicing. Maybe you could do a video on that sometime.
Thanks again for all your help. I’ve been getting a lot better because of your tips!
Great video thanks for hammering home that practice practice your scales is the key to getting faster and better, as you stated there is no special pill or trick that can make you faster or better it just takes practice, thank I look forward to your next lesson.
Ron
I was really looking forward for another exercise in speed, and i just got one,Thanks to you.
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thanks jonuthan
Great video!! You know I actually play the pentatonic scale with alternate picking but I start with an upstroke and do up down up down… Is that improper? I do go down up down up when I play three note per string scales though, I’m weird 😛 Should I be able to do both up then down and down then up or am I fine how I’m doing it already?
Hi Jason, you can start on either an up or downstroke, doesn’t really matter, though in certain situations, one will be better than the other, depending on what you’re doing. Therefore, it is best to practice both.
Thank you, I always find your tuition worthwhile and I do actually go away and practice these skills. much appreciated.
ANOTHER AWESOME LESSON! Other ideas… 1234 on 6 string(F) 1234 5 string all the way down to 1 string, then 5432 1st string 5432 2nd string…3456 on 6th string cover the whole board. Also 1,3,4 on string 6 then 124 string 5, 134 string 4…. after string 1 scoot up 1 fret and come back down 542, 532…Then try finger combinations 1234,1243, 1324, 1342,1423,1432,2134,2143,2314,2341,……. I do 1234 down each string same frets then change to next pattern 1243 up …..practice hammeron pulloffs finger 1,2 for 20 seconds, then finger 1,3 then 1,4, then 2,3 then 2,4 then finger 3,4 for 20 seconds each combo that is a killer burn. also try 1234 diagonally going up a string each time. And the greatest speed tip I’ve ever used: set your metronome for say 120 bpm then play 3 notes of a diatonic scale 1 note per beat, then double it to two notes per beat 2x then back to 1 note per beat, then 2x two notes per beat. find the speed that pushes you. This really has helped my poor timing alot I’ve benn playing 2 1/2 years. Also try 1234321 1 note per beat on 1 string then immediately play it 2 or 3 times 2 notes per beat. Thanks for reading. If you read all this writing ad nauseaum you are as hooked as I am. Pull up Mattrach how to play fast on you tube. He is not a teacher but an amazing player. Sponsored by Fender at 15, now he is 30? My point is he plays that 1234 on each string so fast it will blow your mind! Someday!!!!!